Modernists and Mavericks: Bacon, Freud, Hockney and the London Painters 1945-70
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vyprodáno |
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Internetová cena:
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632,00 Kč 
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Běžná cena:
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790,00 Kč |
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Zboží není skladem
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A masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art
The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin.
Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.
Contents List
Introduction • 1. 14 Abercorn Place • 2. Pope Francis • 3. Euston Road in Camberwell • 4. The Spirit in the Mass (at Borough Polytechnic) • 5. Girl with Roses • 6. Leaping into the Void • 7. Translating Life into Art: Bacon and Freud in the 50s • 8. Two Climbers Roped Together: Auerbach and Kossoff • 9. An Arena in Which to Act • 10. What Makes the Modern Home so Different? • 11. The Situation in London, 1960 • 12. The Artist Thinks: Hockney and his Contemporaries
About the Author
Martin Gayford is art critic for The Spectator and the author of acclaimed books on Van Gogh, Constable and Michelangelo. He is the author of Man with a Blue Scarf, Rendez-vous with Art and A Bigger Message. He has collaborated with David Hockney on A Bigger Message: Conversations with David Hockney and A History of Pictures, and has co-written a volume of travels and conversations with Philippe de Montebello: Rendez-vous with Art.
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