V roce 2012 se součástí Nakladatelství Slovart stalo nakladatelství Brio. Nakladatelství Brio vydávalo ve spolupráci s předními spisovateli a výtvarníky nádherně ilustrované originální příběhy a sbírky pohádek pro děti od šesti do dvanácti let. Pro starší děti, mládež a dospělé Brio nabízelo sebrané spisy pohádek a bajek od renomovaných spisovatelů, doplněné o to nejlepší z klasické literatury celého světa. V této tradici pokračujeme také my v rámci stejnojmenné edice.


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Novinka
How to Be Avant-Garde

How to Be Avant-Garde

   Modern Artists and the Quest to End Art

Autor: Morgan Falconer
ISBN: 9781324051428
Internetová cena: 632,00 Kč
Běžná cena: 790,00 Kč
Skladem (2 ks)

The strange story of the twentieth-century artists who sought to destroy art by transforming it into the substance of everyday life

“Art has poisoned our life”, proclaimed Dutch artist and De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.

From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious.

He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.

How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations and their objects and writings that defied categorisation.

“Art has poisoned our life”, proclaimed Dutch artist and De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.

From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious.

He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.

How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations and their objects and writings that defied categorisation.

Review

"A future classic along the lines of Lipstick Traces, one of those books that anyone hoping to bring true newness into the world will find and pass along like a shibboleth to others seeking the same." — Mark Braude, author of Kiki Man Ray

"Morgan Falconer is the pitch-perfect cheering but skeptical guide through the intricacies, infighting, backbiting, dead ends, crazy schemes, mad ideas, wild leaps, and triumphs of the avant-garde." — Jerry Saltz, Pulitzer Prize winner and best-selling author of How to Be an Artist

“From André Breton to Robert Smithson, the book nimbly threads the stories of many figures into a coherent and pleasurable read… With a talent for setting the scene and rendering vivid portraits, Falconer brings the stories of these artists, each with conflicting agendas, into one comprehensible argument.” — Aaron Peck, The Times Literary Supplement

About the Author

Morgan Falconer, a critic and art historian, teaches at Sotheby’s Institute of Art. He is the author of Painting Beyond Pollock and has written for publications including the Times (UK), Frieze, the Economist, and Art in America. He lives in Queens, New York.


Novinka
The Artist's Manual: The Definitive Art Sourcebook

The Artist's Manual: The Definitive Art Sourcebook

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Internetová cena: 632,00 Kč
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Skladem (2 ks)

65,000 Years: A Short History of Australian Art

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A landmark publication on the history of Indigenous Australian art that calls us to bear witness to 65,000 years of continuous culture, Indigenous knowledge and powerful art. 65,000 Years:...
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Leigh Bowery: The Life and Times of an Icon

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A new edition of Sue Tilley’s classic biography of the man described by Boy George as ‘modern art on legs’, updated to include never-before-seen photographs and a new chapter reflecting on...
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Drawing Masterclass

Guy Noble
Analyses the visual approaches and techniques of 100 great artists, and shows you how to weave some of this magic into your own drawings. Drawing Masterclass analyses some of the most...
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Impressionist and Post-Impressionist Drawings

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T.J. Clark on Bruegel

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Griselda Pollock on Gauguin

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James Hall on The Self-Portrait

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James Tissot

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Henri Rousseau

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Henri Rousseau (1844–1910) is one of the most importantrepresentatives of naive art. His paintings, characterizedby a pronounced exoticism and a childlike awkwardness,can be understood as...
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Painting from 1200 to 1500 is a mirror of its time, marked by deep religiousness as well as progressive tendencies, by economic prosperity as well as devastating wars and epidemics. A...
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