Hiroshige & Eisen. The Sixty-Nine Stations along the Kisokaido

Rhiannon Paget

Jazyk:	anglicky, francouzsky, německy
Počet stran:	236
Formát:	37,5 x 20,5 cm
Nakladatel:	Taschen
Vazba:	pevná

Cena:	1 352,00 Kč

• Anotace

  An evocative journey on the route between Edo and Kyoto, Keisai Eisen and Utagawa Hiroshige’s legendary series The Sixty-Nine Stations along the Kisokaidō is an artifact of Japan’s imperial past and a masterwork of woodblock practice. From babbling brooks to bustling villages, this reprint offers a rich tapestry of Japan in the mid‑19th century.

  Station to Station

  A historic trail through the heart of Japan

  The Kisokaidō route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaidō journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
  
  Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaidō, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it’s the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.
  
  Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN edition revives the series with due scale and splendor. Sourced from the only-known set of a near-complete run of the first edition of the series, this legendary publication is reproduced in the finest quality, bound in the Japanese tradition and with uncut paper. A perfect companion piece to TASCHEN’s One Hundred Famous Views of Edo, it is at once a visual delight and a major artifact from the bygone era of Imperial Japan.

  The authorRhiannon Paget studied at Tokyo University of the Arts and received her doctorate in Japanese Art History from the University of Sydney, Australia. The curator of Asian art at the John & Mable Ringling Museum of Art in Sarasota, Florida, she has published research on Japanese woodblock prints, textiles, board games, and nihonga.The editor and author

  Andreas Marks studied East Asian art history at the University of Bonn and obtained his PhD in Japanology from Leiden University with a thesis on 19th-century actor prints. From 2008 to 2013 he was director and chief curator of the Clark Center for Japanese Art in Hanford, California, and since 2013 has been the Mary Griggs Burke Curator of Japanese and Korean Art and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. In 2024, he was awarded the commendation of the Japanese Ministry of Foreign Affairs for his contributions to the promotion of Japanese culture.

  Hiroshige & Eisen. The Sixty-Nine Stations along the KisokaidoJapanese binding in box, 37.5 x 25 cm, 2.40 kg, 236 pages

  ISBN 978-3-7544-0313-6

  Edition: Multilingual (English, French, German)

• Další knihy od tohoto autora
  
• Další informace

  ISBN/EAN:	9783754403136
  Rok vydání:	2025

• Diskuze
  Žádný příspěvek do diskuze. Přidejte svůj názor »