An essential visual overview for students and readers with an interest in Sienese art, history and Renaissance culture.
For two centuries, the city-republic of Siena was home to a brilliant succession of painters who created some of the greatest masterpieces of all time; an imagery unmatched in colouristic intensity and spatial experimentation. This overview, now revised and updated, is an essential introduction to this extraordinary artistic tradition. Taking a broadly chronological approach, it moves from the 14th-century Siena of Duccio, Simone Martini and the Lorenzetti brothers, to the 15th-century city of Sassetta and Giovanni di Paolo.
Perceptive visual analysis of the distinctive styles and conventions of Sienese painting is combined with clear explanations of traditional techniques such as fresco and tempera. The works are also placed in their social and religious context through discussion of Siena’s system of government, its civic consciousness, the importance of the Franciscan movement and the cults of local saints.
An accomplished writer as well as a practising artist, Timothy Hyman brings breadth of knowledge and experience to this extensively illustrated book, brilliantly conveying his personal enthusiasm for Sienese art.
'An unimprovable union of exceptionally acute looking, magical prose and authoritative scholarship … a wonderfully balanced account of a woefully neglected school' - David Ekserdjian, The Times Literary Supplement
'Required reading for anyone visiting the city' - The Spectator
'A work of enthralled advocacy' - Evening Standard
About the Author
Timothy Hyman is a writer on art and a painter. He was elected a Royal Academician in 2011 and is an honorary research fellow at University College London. He has exhibited widely and his work is in many public collections, including the British Museum, the Los Angeles County Museum of Art, and the Deutsche Bank Collection. He was lead curator of Tate Britain's major Stanley Spencer retrospective in 2001 and has written a pioneering monograph on Bhupen Khakhar. His articles have appeared in the Times Literary Supplement and the London Magazine, and he is the author of Bonnard and The World New Made: Figurative Painting in the Twentieth Century.