V roce 2012 se součástí Nakladatelství Slovart stalo nakladatelství Brio. Nakladatelství Brio vydávalo ve spolupráci s předními spisovateli a výtvarníky nádherně ilustrované originální příběhy a sbírky pohádek pro děti od šesti do dvanácti let. Pro starší děti, mládež a dospělé Brio nabízelo sebrané spisy pohádek a bajek od renomovaných spisovatelů, doplněné o to nejlepší z klasické literatury celého světa. V této tradici pokračujeme také my v rámci stejnojmenné edice.
Jsme výhradní distributor nakladatelství TASCHEN pro Českou republiku
Explores the key role Paris played in Cartier-Bresson's artistic career, and the way he looked at the city he lived in – and loved
Henri Cartier-Bresson was ‘the eye of the 20th century’ and one of the world’s most acclaimed photographers. Paris was his home, on and off, for most of his life (1908–2004). The photographs he took of the city and its people manage to be both dreamlike and free of affectation.
Here are around 160 photographs taken over a more than fifty-year career. Mostly in black and white, this selection reveals the strong influence on Cartier-Bresson of pioneering documentary photographer Eugène Atget (1857–1927), and the clear visual links with Surrealism that infused Cartier-Bresson’s early pictures. After an apprenticeship with Cubist painter André Lhote, in 1932 Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture movement and the rhythms of daily life in Paris. Cartier-Bresson observed from close quarters the Liberation in August 1944 and the civil disturbances of May 1968. In between he also succeeded in capturing the faces of Parisians in their natural habitat, celebrated artists and writers and citizens alike. Ever-attentive to different ways of portraying the city around him, Cartier-Bresson returned to drawing during the last two decades of his life.
This collection is not only a superb portrait of Paris in the 20th century, it is testament to Cartier-Bresson’s skill as a supreme observer of human life.
About the Author
Anne de Mondenard is a photography historian and curator at the Musée Carnavalet. Agnès Sire has been the director of the Fondation Henri Cartier-Bresson in Paris since its creation in 2003. Peter Galassi is a scholar and curator whose principal fields are photography and 19th-century French art. He was Chief Curator of Photography at The Museum of Modern Art from 1991 to 2011.
