Marvin E. Newman

The first major career retrospective of this remarkable midcentury street photographer, largely undiscovered beyond a prestigious collector and gallery circle. Some 170 photographs reveal Newman’s flawless technique and humanist sensibilitythrough vivid New York cityscapes, riveting sports shots, and other inventive images from across the U.S.

The magnificent midcentury photographer Marvin E. Newman

In 1952, after becoming one of the first-ever recipients of a Master of Science degree in Photography at Chicago’s Institute of Design, native New Yorker Marvin E. Newman returned to his hometown. Like many artists before, he set about chronicling the city. Unlike his predecessors, Newman chose color photography as the preeminent medium for capturing the people and energy of New York, and its emergence in the 1950s as the self-proclaimed “Greatest City in the World.”

Lauded by the likes of Eastman House, MoMA, and the International Center of Photography, Newman’s images remained, up until now, largely undiscovered beyond a prestigious collector and gallery circle. After featuring Newman in New York: Portrait of a City, TASCHEN now presents the artist’s first career monograph including some 170 pictures from the late 1940s through the early 1980s, previously available in a Collector’s Edition. Newman passed away in 2023 at the age of 95.

From Times Square to Wall Street, from Broadway to Little Italy, Newman’s vivid, original tableaux offer fresh perspectives on familiar New York landmarks but, above all, a unique sense for life in the city and for the drama and extremities that weld New York to so many hearts. Beyond New York, Newman applies the same flawless technique and humanist sensibility to other locations across the United States including Chicago, Kansas, a vintage 1950s circus; a legalized brothel in Reno, Nevada; Las Vegas; Alaska; and groovy 1960s California; as well as top shots from his sports photography portfolio featuring icons such as Cassius Clay and Pele´.

Newman, who is represented by the prestigious Howard Greenberg Gallery, was long overdue a monograph. With an essay by critic and scholar Lyle Rexer, this first chronological retrospective offers due recognition to an outstanding talent, providing memorable images that leave their mark on the eye and the soul.

The artist

Marvin E. Newman (b. 1927) was one of the first recipients of a Master of Science degree in Photography at Chicago’s Institute of Design. A native New Yorker, he shot sports for Life, Look, and Sports Illustrated. His work has been lauded by the likes of Eastman House, MoMA, and the International Center of Photography (ICP).

The author

Lyle Rexer is a New York–based writer, curator, and art critic. He is a contributor to Photograph magazine, and has written for many others including Art in America, Aperture, and Modern Painters. His books include The Edge of Vision: The Rise of Abstraction in Photography and How to Look at Outsider Art. A Rhodes scholar, he serves on the faculty at School of Visual Arts in New York City.

The editor

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids.

Marvin E. NewmanHardcover, 25 x 36 cm, 2.73 kg, 240 pages

ISBN 978-3-8365-9912-2

Edition: English