The Finest Hotel in Kabul

In 1969, the luxury Hotel Inter-Continental Kabul opened its doors: a glistening white box, high on a hill, that reflected Afghanistan’s hopes of becoming a modern country, connected to the world.

Lyse Doucet first checked into the Inter-Continental on Christmas Eve 1988. In the decades since, she has witnessed a Soviet evacuation, a devastating civil war, the US invasion, and the rise, fall and rise of the Taliban, all from within its increasingly battered walls. The Inter-Con has never closed its doors.

Now, she weaves together the experiences of the Afghans who have kept the hotel running to craft a richly immersive history of their country. It is the story of Hazrat, the septuagenarian housekeeper who still holds fast to his Inter-Continental training from the hotel’s 1970s glory days – an era of haute cuisine and high fashion, when Afghanistan was a kingdom and Kabul was the ‘Paris of Central Asia’. Of Abida, who became the first female chef after the fall of the Taliban in 2001. And of Malalai and Sadeq, the twenty-somethings who seized every opportunity offered by two decades of fragile democracy – only to see the Taliban come roaring back in 2021.

Through these intimate portraits of Afghan life, the story of a hotel becomes the story of a people.

Review

The Finest Hotel in Kabul tells the story of Afghanistan through the Hotel Inter-Continental Kabul, a sexy splash of glamour in a poor, mostly illiterate country when it opened in 1969. Afghanistan was a kingdom then and in the years since, the hotel and its staff have seen coups, a Soviet invasion, a Marxist dictatorship, civil war, the Taliban, western invasion and occupation, the Taliban again. Doucet, the BBC’s chief international correspondent, does a terrific, novelistic job of telling the story of the people who’ve worked there and what this tumultuous change has meant for them. ― ROBBIE MILLEN, The Times

An incredible book – vivid and beautifully written, it captures the soul of Afghanistan through an age of hopes and heartbreak, as well as one of constant change. A tender, wise and quietly devastating book. ― PETER FRANKOPAN, author of The Silk Roads

An ingenious method of storytelling, and what a story the Inter-Continental Kabul has to tell. Lyse Doucet writes with verve and insight, and a clear warmth of feeling for Afghanistan and its people. ― KAMILA SHAMSIE, author of Home Fire

The Finest Hotel in Kabul plays to all Lyse Doucet’s strengths. Clarity, empathy, depth of knowledge and innate grasp of fine detail. Her subject is not just a hotel, but a hotel that tells the story of four decades of Afghanistan’s proud and sometimes unbelievably painful history. This is a most readable account of joy, despair and resilience in one of the world’s most fascinating countries. ― MICHAEL PALIN

As with the voice, so with the book: distinct, original, humane, powerful and utterly compelling. ― PHILIPPE SANDS, author of East West Street

A book brimming with deep insight, courage and conscience. Everyone should read this. Astonishingly beautiful, subtle and simply unforgettable. ― ELIF SHAFAK, author of There Are Rivers in the Sky

A story of a country and a people, told with knowledge, insight and tenderness. I’ve been waiting for a Lyse Doucet book for a long time and what she has produced here is testament to her humanity as well as her journalistic eye. ― MISHAL HUSAIN, author of Broken Threads

About the Author

Lyse Doucet first arrived at the Kabul Inter-Continental Hotel on Christmas Day 1988, the day after her thirtieth birthday. Visiting Afghanistan to cover the withdrawal of Soviet troops following their disastrous decade-long occupation, she was immediately taken by the faded grandeur of the hotel and the warm hospitality of its staff.

Over the course of the next four decades, Lyse would report on many of the most significant moments in world history – from the Arab Spring to the Russian invasion of Ukraine and many wars in the Middle East – ultimately becoming one of the world’s best-respected war correspondents and the Chief International Correspondent for the BBC. But through everything, she has always found herself drawn back to her Afghan home, the hotel most people just call the ‘Inter-Con’. Here, she draws upon years of conversations with its staff and guests to tell the story that only she can.