V roce 2012 se součástí Nakladatelství Slovart stalo nakladatelství Brio. Nakladatelství Brio vydávalo ve spolupráci s předními spisovateli a výtvarníky nádherně ilustrované originální příběhy a sbírky pohádek pro děti od šesti do dvanácti let. Pro starší děti, mládež a dospělé Brio nabízelo sebrané spisy pohádek a bajek od renomovaných spisovatelů, doplněné o to nejlepší z klasické literatury celého světa. V této tradici pokračujeme také my v rámci stejnojmenné edice.
Jsme výhradní distributor nakladatelství TASCHEN pro Českou republiku
Drawing on his unique experience at the helm of three major British art institutions, Charles Saumarez Smith traces how art museums across the world have changed over the past eighty years
The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith’s leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future.
For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai – he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed.
What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism.
Review
'An original book, and so beautifully written and constructed' - Professor Sir David Cannadine, Dodge Professor of History, Princeton University and President of the British Academy
'A wise and insightful tour of our most successful art museums. One couldn’t ask for a better informed or more congenial guide. Highly recommended' - Professor Andrew McClellan, Professor of History of Art and Museum Studies, Tufts University
'There are few people as perfectly suited to give an overview of the pre-COVID museum landscape than Charles Saumarez Smith. Respected by the entire museum field, he has directed three major institutions, each with notable success ... Insightful, witty, playful and ironic, who better to guide a reader through the confusing terrain of the past several decades of the ‘museum boom’?' - James Bradburne, Director General, Pinacoteca di Brera and the Biblioteca Nazionale Braidense, and Editor-in-Chief, Museum Management and Curatorship
'I love the style, tone and perspective, the personal experience present along the way, and the open mode of thinking and reflecting on what is seen. That is rare in museum literature and gives a special authority and also a thrill to the text' - Professor Mari Lending, Professor of Architectural History and Theory, Oslo School of Architecture and Design
'Charles Saumarez Smith is well placed to consider all of the elements that define a contemporary institution, from architecture and curatorial expertise to funding models and the thorny subject of public duty' - The Arts Society
'Written with the crisp elegance found in Baedeker’s guides' - The Financial Times
'Charles Saumarez Smith is eminently qualified to answer the two main questions underpinning this survey of 42 museums: How have such institutions changed in the past century? And what does the future look like for these cathedrals of culture? Saumarez Smith … brings his experience and insights to this sweeping overview' - The Art Newspaper
About the Author
Charles Saumarez Smith was Director of the UK’s National Portrait Gallery 1994–2002, Director of the National Gallery 2002–2007 and Secretary and Chief Executive of the Royal Academy 2007–2018. He is the author of East London; The Company of Artists: The Origins of the Royal Academy of Arts in London; and The National Gallery: A Short History, among other titles.
