The livre d’artiste, or ‘artist’s book’, is among the most prized in rare book collections. Henri Matisse (1869–1954) was one of the greatest artists to work in this genre, creating his most important books over a period of eighteen years from 1932 to 1950 – a time of personal upheaval and physical suffering, as well as conflict and occupation for France. Brimming with powerful themes and imagery, these works are crucial to an understanding of Matisse’s oeuvre, yet much of their content has never been seen by a wider audience.
In Matisse: The Books, Louise Rogers Lalaurie reintroduces us to Matisse by considering how in each of eight limited-edition volumes, the artist constructs an intriguing dialogue between word and image. She also highlights the books’ profound significance for Matisse as the catalysts for the extraordinary ‘second life’ of his paper cut-outs. In concert with an eclectic selection of poetry, drama and, tantalizingly, Matisse’s own words, the books’ images offer an astonishing portrait of creative resistance and regeneration.
Matisse’s books contain some of the artist’s best-known graphic works – the magnificent, belligerent swan from the Poésies de Stéphane Mallarmé, or the vigorous linocut profile from Pasiphaé (1944), reversed in a single, rippling stroke out of a lake of velvety black. In Jazz, the cut-out silhouette of Icarus plummets through the azure, surrounded by yellow starbursts, his heart a mesmerizing dot of red. But while such individual images are well known, their place in an integrated sequence of pictures, decorations and words is not.
With deftness and sensitivity, Lalaurie explores the page-by-page interplay of the books, translating key sequences and discussing their distinct themes and creative genesis. Together Matisse’s artist books reveal his deep engagement with questions of beauty and truth; his faith; his perspectives on aging, loss, and inspiration; and his relationship to his critics, the French art establishment and the women in his life.In addition, Matisse: The Books illuminates the artist’s often misunderstood political affinities – in particular, his decision to live in the collaborationist Vichy zone, throughout World War II. Matisse’s wartime books are revealed as a body of work that stands as a deeply personal statement of resistance.
Table of Contents
Preface • Introduction • 1. Poésies de Stéphane Mallarmé 1930-1932 • 2. Dessins, Themes et Variations 1941–43 • 3. Florilege des Amours de Ronsard 1941–48 • 4. Poemes de Charles d'Orleans 1942–1950 • 5. Pasiphaé, Chant de Mindos 1937–1944 • 6. Les Fleurs du Mal 1939–1947 • 7. Lettres Portugaises 1945–1946 • 8. Jazz 1941–1947 • Conclusion
About the Author
Louise Rogers Lalaurie is a writer and translator based between the Paris region and the UK. Her published translations include five novels, numerous short stories and over thirty non-fiction titles covering the fine and decorative arts, lifestyle and travel. In France, she translates for leading art institutions including the Louvre, the Centre Pompidou, the Institut National d'Histoire de l'Art and the Ministry of Culture and Communication.